Des feuilletons (serials)
Des bandes-annonces (trailers)
Des poils (hairs)

TO RAISE THE ISSUE OF FREEDOM AND WHAT IS NORMAL BEFORE THE ARTIST, SPECTATOR AND "DIRECTOR"

IN WHICH THE HAIR BECOMES THE SYMBOL OF A FORM OF PASSIVE RESISTANCE AND THE HAIRY BEARDED ARTIST AN ADVENTURER IN THE JUNGLE OF THE PRODUCTION SYSTEM OF CONTEMPORY DANCE SHOWS.

Feuilleton en episodes (Serial in episodes) sub-titled le plus sauvage d’entre nous rentre à la maison (the most savage among us returns home) – a rock success of the 1950s – proposes somersaults, a diversion strategy in which one show can conceal many others: in bandes-annonces (Trailers).

FEUILLETON –en episodes- Super Production Chorégraphique à Poils (SERIAL – in episodes – Super Hairy Choreographic Production) is a creation in 12 episodes :

10 Trailers, a N°0 and episode N°1, public meetings and films. The principle of unique creations – hard to defend with financial backers of the performing arts – has found perfect form in this reversal in which the serial ends with episode N°1!
FEUILLETON implies a three-fold challenge:
- Challenge the rules of the game of choreographic production (projections, implicit expectations of partners, games of influence, misunderstandings, etc.) and experiment with a diversion strategy by starting from the idea that one project can conceal another. The episodes, understood to be sequels, are in reality what come before. Episode N°1 at Blois becomes the finishing point of a project that was developed through its Bandes-Annonces (Trailers) and the N°0 created during numerous residencies. 
- Experiment new working methods with the guest artists and use of the hypnotic tool in direct relation to the improvisation process.
(+lien interne avec la formation à l’outil hypnotique ?)
- Provide in a large auditorium (Halle aux Grains/Scène Nationale de Blois) the fruit of the many experiences in the notion of the relationship with the spectator, experienced since Chambre (Room).